| note♩: Godzilla king of mon... composed_by: morpheus |
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Godzilla:
King
of
the
Monsters
is
an
upcoming
American
monster
film
directed
and
co-written
by
Michael
Dougherty.
It
is
a
sequel
to
Godzilla
(2014)
and
will
be
the
35th
film
in
the
Godzilla
franchise,
the
third
film
in
Legendary's
MonsterVerse,
and
the
third
Godzilla
film
to
be
completely
produced
by
a
Hollywood
studio.
https://en.wikipedia.org/wiki/Godzilla%3A_King_of_the_Monsters_(2019_film)
https://en.wikipedia.org/wiki/Godzilla%3A_King_of_the_Monsters_(2019_film)
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Godzilla: King of the Monsters Movie Review (2019) | Roger Ebert
“Godzilla: King of the Monsters” has a sense of wonder. After I left the screening late at night and emerged onto a dark city street at nearly one a.m., I wanted to look up rather than straight ahead, just in case Ghidorah the three-headed dragon or Rodan the giant pterodactyl came screaming down from the clouds. That's not the same thing as saying this is a perfect movie. It's far from that. But its errors fall mainly under the heading of failing to get out of its own way, and its imperfections are co... {open}
https://www.rogerebert.com/reviews/godzilla-king-of-the-monsters-2019 |
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Godzilla | film by Honda [1954] | Britannica.com
Godzilla, Japanese Gojira, Japanese horror film, released in 1954, that was directed and cowritten by Honda Ishirō and features innovative special effects by Tsuburaya Eiji. The landmark film was a sensation at the box office and sparked a spate of “giant monster” movies. Godzilla, a giant monster spawned from the waste of nuclear tests, is discovered in the sea and rises to threaten Japan. The only hope of stopping Godzilla is the oxygen destroyer, a weapon as deadly and as morally troubling as the... {open}
https://www.britannica.com/topic/Godzilla |
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Godzilla: King of the Monsters (2019 film) - Wikipedia
Godzilla: King of the Monsters is an upcoming American monster film directed and co-written by Michael Dougherty. It is a sequel to Godzilla (2014) and will be the 35th film in the Godzilla franchise, the third film in Legendary's MonsterVerse, and the third Godzilla film to be completely produced by a Hollywood studio.[Note 1] The film stars Kyle Chandler, Vera Farmiga, Millie Bobby Brown, Bradley Whitford, Sally Hawkins, Charles Dance, Thomas Middleditch, Aisha Hinds, O'Shea Jackson Jr., David Stra... {open}
https://en.wikipedia.org/wiki/Godzilla%3A_King_of_the_Monsters_(2019_film) |
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Godzilla: King of the Monsters (2019 film) - Wikipedia
Godzilla: King of the Monsters[a] is a 2019 American monster film directed by Michael Dougherty and co-written by Dougherty and Zach Shields from a story by Max Borenstein, Dougherty, and Shields. A sequel to Godzilla (2014), it is the 35th film in the Godzilla franchise, the third film in Legendary's MonsterVerse, and the third Godzilla film to be completely produced by a Hollywood studio.... [enter]
https://en.wikipedia.org/wiki/Godzilla%3A_King_of_the_Monsters_(2019_film) |
☰
Godzilla evolution
by: morpheus
Shin
Godzilla,
the
first
new
Japanese
Godzilla
film
in
twelve
years,
stomped
into
the
record
books
as
Japan's
top
moneymaking
live-action
film
of
2016,
and
the
highest
grossing
Godzilla
film
ever,
but
it
practically
snuck
into
American
theaters
last
week,
staking
out
one
or
two
showings
a
day
in
urban
multiplexes
with
practically
no
advertising
and
no
advance
screenings.
American
audiences
sought
it
out
and
sold
out
showings
nonetheless,
inspiring
stateside
distributor
Funimation
to
expand
its
release
to
more
screens
and
showtimes.
https://www.fandor.com/posts/godzilla-evolution
https://www.fandor.com/posts/godzilla-evolution
☰
Godzilla size comparisons
by: morpheus
Godzilla
appears
to
be
following
Cope’s
Rule.
So
how
big
will
Godzilla
be
in
2050?
Rhett
Allain
at
Dot
Physics
calculates
this
to
be
170
meters.
But
I,
as
nerds
debating
meaningless
things
will,
disagree.
Allain
appears
to
use
multiple
dates
for
each
iteration
of
Godzilla.
For
example,
the
50
meter
Godzilla
occurs
in
movies
from
1954-1975
and
again
in
2001.
In
Allain’s
plots,
50
meter
Godzilla
occurs
in
1954,
1960,
1970,
and
1991.
This
artificially
weights
the
analysis
and
treats
separate
iterations,
i.e.
species,
of
Godzilla
the
same
as
a
single
individual
of
the
same
species
of
Godzilla.
To
restate,
different
sightings,
e.g.
different
movies,
of
the
same
individual
of
Godzilla
are
put
into
the
analysis
multiple
times
even
though
they
are
presumably
the
same
individual.
I
prefer
to
use
a
standard
paleontological
method,
specifically
the
size
at
first
occurrence.
http://www.deepseanews.com/2014/05/godzilla/
☰
ebert review
by: morpheus
“Godzilla:
King
of
the
Monsters”
has
a
sense
of
wonder.
After
I
left
the
screening
late
at
night
and
emerged
onto
a
dark
city
street
at
nearly
one
a.m.,
I
wanted
to
look
up
rather
than
straight
ahead,
just
in
case
Ghidorah
the
three-headed
dragon
or
Rodan
the
giant
pterodactyl
came
screaming
down
from
the
clouds.
That's
not
the
same
thing
as
saying
this
is
a
perfect
movie.
It's
far
from
that.
But
its
errors
fall
mainly
under
the
heading
of
failing
to
get
out
of
its
own
way,
and
its
imperfections
are
compensated
by
magnificence.
Directed and cowritten by Michael Dougherty ("Krampus"), the movie follows on the heels of the 2014 "Godzilla" and the 2017 "Kong: Skull Island." It's conceived as part of a shamelessly Marvel-styled "shared cinematic universe" of stories that interlink and build towards a series of peaks (the first of which is 2020's "Godzilla vs. Kong"). The human heroes are part of a top-secret project called the Monarch Initiative. This mythology re-imagines Godzilla and the other giant monsters made famous by Toho studios, including Ghidorah, Rodan, Mothra, and King Kong (an American creation folded into Japan's universe) as part of an ancient ecosystem of long-hibernating giant monsters that predate the dinosaurs. They can travel from one part of the globe to the other quickly via tunnels through the center of the planet (this is what's known as "Hollow Earth theory") and are emerging now in response to humanity's despoiling of the environment through atomic testing, nuclear and chemical waste-dumping, mountaintop demolition mining, and other assaults on Mother Earth. https://www.rogerebert.com/reviews/godzilla-king-of-the-monsters-2019
Directed and cowritten by Michael Dougherty ("Krampus"), the movie follows on the heels of the 2014 "Godzilla" and the 2017 "Kong: Skull Island." It's conceived as part of a shamelessly Marvel-styled "shared cinematic universe" of stories that interlink and build towards a series of peaks (the first of which is 2020's "Godzilla vs. Kong"). The human heroes are part of a top-secret project called the Monarch Initiative. This mythology re-imagines Godzilla and the other giant monsters made famous by Toho studios, including Ghidorah, Rodan, Mothra, and King Kong (an American creation folded into Japan's universe) as part of an ancient ecosystem of long-hibernating giant monsters that predate the dinosaurs. They can travel from one part of the globe to the other quickly via tunnels through the center of the planet (this is what's known as "Hollow Earth theory") and are emerging now in response to humanity's despoiling of the environment through atomic testing, nuclear and chemical waste-dumping, mountaintop demolition mining, and other assaults on Mother Earth. https://www.rogerebert.com/reviews/godzilla-king-of-the-monsters-2019
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